Sydney, Snow and The Voyage

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Hi all,

Jus here. I realise that it’s February, but as this is my first blog post of 2012 I want to wish you all a Happy New Year – I hope it’s already proving fruitful and happy! It certainly has been so far for me. I spent the first part of the year in Hong Kong seeing close friends and in Australia, visiting more mates and haunts from when I lived out there. I know it sounds like it was all fun and games, but I did actually do some work whilst I was out there (not much I have to say, but some).

The Sydney Bridge

Jus enjoyed the sights in Sydney

I spent some of my time in Sydney meeting up with the Legs On The Wall team who we’re collaborating with for our London 2012 Festival spectacle, The Voyage. It was great meeting Sally Ebert the General Manager, seeing Patrick Nolan the Artistic Director again, and hearing all about how the project was going from their point of view. They showed me around the ‘red box’, which is their (amazing!) rehearsal/performance space out in Lilyfield and talked to me about the auditions they were holding to find performers for The Voyage (the following week) and some of their ideas for the project.

Legs On The Wall Image

Jus visited Legs On The Wall whilst in Sydney

It really made me realise just what a massive event this is going to be and how challenging it’s going to be for both our companies and Birmingham Hippodrome, the producers, what with the many thousands of miles and time difference between us. I’ve no doubt though that with the passion, creativity, vision and commitment all the collaborators are showing that this is going to be a phenomenal show that I just can’t wait to be a part of! We’re officially launching The Voyage next week to partners and press, and I promise to update you with as much behind the scenes information as I can afterwards.

The Voyage

The Voyage will arrive in Victoria Square, Birmingham in June

 

Whilst I’ve been away the office has been a hotbed of administration, paperwork and auditions as we prepare for the Quest element of The Voyage project. Unfortunately I missed the dancer apprentice auditions at the beginning of the month, but I asked Sophie our new Marketing and Development Assistant to fill us in and here’s what she had to say:

“It had been threatening to snow here in Leamington for the past few weeks; however it decided to finally fall on the day of our Dance Apprentice Auditions – helpful! Despite the snow and cold we were delighted to see the massive numbers of you that turned out in force, eager to spend the day dancing and auditioning for us.

Apprenticeships are extremely important to our company we pride ourselves on developing strong relationships with emerging artists  and we believe strongly in recruiting apprentices to work for Motionhouse to help kick start their dance career. Taking on dance apprentices has certainly worked well for Motionhouse over the years; Junior started with us ten years ago on apprenticeship from Northern School of Contemporary Dance and he’s now our Rehearsal Director!

During the audition day the dancers were split into two groups and taught by Junior and Giorgio. They were taught new routines in which they had to learn new gymnastic techniques and then they were taken through rep from Cascade, one of our internationally touring festival pieces.

As the dancers were whittled down (which was an extremely difficult task for Kevin and Louise) their daring was put to the test as they threw themselves head-first across our studio, taught how to do it safely first by Junior of course! Finally Kev and Louise made the impossible decision and we’re now delighted to be able to announce that: George Adams, Luka Owen, Amy Lovelock and Laura Vanhulle will be joining us in March! Congratulations guys and good work! The competition was extremely tough and you should be proud that you made it through. For all those of you that auditioned but didn’t make it through, thanks for attending and please don’t feel too disheartened, the standard was so high (probably one of the highest we’ve ever seen at Motionhouse and Kev and Louise we’re delighted!) and our intake so small, that you should also be patting yourself on the backs on a job well done, and who knows in the future it could be your turn.

As part of the Quest project we’ll also be welcoming four apprentices from the Northern School of Contemporary Dance. Giorgio auditioned yet another talented group of dancers towards the end of last year and we’re now looking forward to the arrival of Jade Barton, Joshua Houghton, Tess Letham and Kalliopi-Ioanna Chodrakis, (Pollyanna for short), also in March! Exciting times ahead at Motionhouse!

Soph xx”

Motionhouse dancers Junior and Olivia teach during the audition process.

Motionhouse dancers Junior and Olivia teach during the audition process.

Thanks Soph – and congratulations to our new apprentices, we can’t wait for you to get started and joined our team!

Meanwhile, in addition to organizing the auditions Jo and mezze have been manically busy preparing our other Quest community groups who will be joining us in The Voyage. They’re currently facing an uphill battle as they try to arrange all the licenses for the 140 youngsters and recruit enough chaperones to work with them all! It’s been hard work and definitely a learning curve for everyone as we get to grips with the legislation involved in working with young performers, but I think it’s safe to say we’re definitely getting there.

Jo’s also been out ‘in the field’ meeting the groups, leaders and some of the parents of our Quest participants. Her first trip was to Coventry Performing Arts Service (PAS) Dance Youth Group and she said that she was completely bowled over by their excitement and reaction to being involved in the project. I’m sure this really makes up for some of the more difficult tasks she’s been having to try and solve like: trying to find a rehearsal space big enough for all these groups to meet and practice together with our professional dancers and aerialists from Legs On The Wall; costuming all of the performers in 1940s outfits (not to mention getting all of the performers measurements and hat sizes!); as well as trying to help find old suitcases for their props. Phew! Sounds like a massive task to me, but if any of you out there think you can raid your attics and help with costumes or old suitcases just drop us a line, at info@motionhouse.co.uk it would certainly be a big help.

Suitcases for The Voyage

Do you have any vintage suitcases? We are looking for some for props for The Voyage

Think that’s it for now, it’s about time I got back to catching up on my workload, but Soph and I will bring you more updates on The Voyage soon. We’ll also hoping to be able to bring you some exclusive news about our next theatre production, Broken, so watch this space!

Jus xx

Hi Everyone, Sophie here!

I’m the new marketing assistant here at Motionhouse, on a placement year from The University of Surrey. As Justine is off on her amazing travels in Australia I’m taking the marketing reins for a whole month!

Being a dance student means it’s extremely interesting for me to talk to the dancers to learn about their experiences in the professional dance world.

I took some time to speak to Moho dancer, Ally, who agreed to talk to me (and you guys as well of course!) about what it’s like to be a professional dancer off contract and all the different jobs you find yourself doing!

Hope you enjoy,

Soph xx

Every so often we (the dancers) have some time off from Motionhouse, free to pursue other ventures and activities. At the moment I am enjoying the rest (allowing the body some necessary recovery time) as soon it will be full steam ahead again in

Ally flying high during a performance of Cascade

Ally flying high during a performance of Cascade

the run up to the return of Scattered rehearsals.

When I was first presented with the idea of a break from work I admit it was daunting. I had never freelanced before and had some apprehensions about the whole thing. Where would my income come from? How would I keep fit? These were just some of the questions on my mind.

It wasn’t until I got into the whole thing that these concerns eased. Now having done it all once last year I feel more comfortable with it and in fact it seems laughable that I had been so worried about it all in the first place! Don’t tell me worrying doesn’t do any good, the things I worry about never happen!

Not only have my fears ceased to materialise, it’s been quite the opposite in fact. Opportunities I would not have foreseen have presented themselves that make me really keen to have breaks to enable such development.

Right now I am taking a train to Birmingham to teach at DanceXchange where a relationship has been established enabling me to teach there in my free time. I really enjoy teaching which is a relief as it forms a large part of what I do in these break times. It is even something I hope to continue as a post performance career, so to be gaining so much experience now is invaluable.

Alongside education many other opportunities present themselves when you are prepared to receive them. After all, coincidence favours the prepared and luck favours the hard working!

I’ll be doing some ballroom dancing for a BBC period drama, choreographing for a circus company in Belgium and learning all about DIY and construction over the break. They are exciting and diverse jobs that really interest me and provide valid

Ally in costume for a BBC Period Drama

Ally in costume for a BBC Period Drama

extensions to my original training. These give me a source of income, one that’s somewhat unexpected but such a blessing because I am being paid to do what I love, a rarity for so many and something for which I am forever grateful. Of course all this takes effort and preparation, a large part of which is usually provided for us when working for Motionhouse. I have become very accustomed to negotiating terms on contracts and booking travel and accommodation which with Motionhouse is all done for us.

I guess the breaks ultimately allow us the chance to develop other styles and interests avoiding the danger of becoming complacent and bored which again could be so devastating for a company. The development we make outside of contracts is brought back to the studio when we re-congregate. It informs each other’s practice, therefore imbuing the next company’s creation with new ideas and styles bringing breadth and freshness to an ongoing body of work.

The lifestyle doesn’t change much. I still feel like I live out of a suitcase most of the time and rarely get to catch up with family and friends but when I do it makes it extra special.

I hope you have all had a bit of a break over the holiday season because I tell you it is very important to have some time away every now and then to reflect and grow and ultimately gain from it all.

Ally

Hi everyone

Wishing you a very happy new year and hoping that 2012 has exciting things in store for you. We rounded off 2011 with two big events – a dancer audition and the Motionhouse Christmas party. As always, we were so impressed with the quality and enthusiasm of everyone who came for the auditions; it was a fairly gruelling process for those who made it beyond the first day as they were asked to improvise, perform

The Motionhouse auditions were a great success!
The Motionhouse auditions were a great success!

a solo, make duets and tackle running up and jumping off the Scattered slope. At the end of three exhausting days, we welcomed Becci Williams and Martina Bussi to the Motionhouse family and are looking forward to having them here when the company comes back on contract in March. After all that hard work, it was time for a bit of Christmas fun and some fantastic food at our local French restaurant Eleven; in true Motionhouse tradition, we played party games including an all-action version of The Twelve Days of Christmas (with special thanks to Ally for his contribution) and formed a rather bad whistle orchestra conducted by Louise. Not sure how much that was appreciated by the other customers … Sadly no limbo dancing competition this year though. Thanks must go to the very tolerant staff at Eleven!

Our dancers are off contract but keeping themselves busy – Olivia is working in India, Claire is braving the cold and wind in Scotland, Ally is shortly off to a project in Belgium whilst Giorgio prepares for his performance as part of Resolution at The Place next week.

Back here at the office there’s no time to quietly do the filing as we move up a gear with The Voyage. Whilst Kevin grapples with the complex problems involved in staging such a huge outdoor event (like where can you find a large outdoor space to rehearse in the dark in midsummer?), we are focussing on the community groups that will be taking part in the project. It’s an amazing opportunity for people who love to dance to perform in an Olympic event. There are three ways you can get involved – as a Dance Apprentice, as part of the Motionhouse Performance Group or by coming along to our Masterclasses. There’s more information here; deadline for Apprentice applications is 27 January. Come and join us! And whilst we’re on the subject of The Voyage, we are looking for hundreds of old-fashioned suitcases for the performance so if you have any you are willing to donate, please let us know by emailing info@motionhouse.co.uk

Believe it or not, whilst Scattered will remain in rep and hopefully tour overseas in the next couple of years, work is starting on our next main touring production (working title ‘Broken’). Kevin and our set designer

Scattered will continue to tour in 2012!
Scattered will continue to tour in 2012!

Simon Dormon are throwing around ideas for the set, The Lift is creating the toolkit for selling the show and in the next month or so I will start contacting venues to put together a tour which will kick off in October 2013 at Warwick Arts Centre. Watch this space!

Bye for now,

Jo x